
Gossip — “Real Power”
Release of “Real Power” gossipSequel to 2012’s “A Joyfu” produced by Rick Rubin.l Noise is approaching. More political and dancy than the surprisingly sweet first single “Crazy Again,” the album’s self-titled song features images of protest (“Somewhere in the night there’s a fire burning / The energy’s high and it’s real” It contains an undeniable feeling. Hi-hat shuffle. In support of ‘Real Power’, Gossip will be touring Europe this summer. The hope is that they will eventually return to Arkansas, the home state of singer Beth Ditto and guitarist Nathan Howdeshell.
Funkanitz – “Movin’ On”
After more than a dozen years as a staple of Central Arkansas’ genre-fluid live music scene, Funkanito We have finally released our first recorded single. Naturally, that’s great. Precise and effortless, “Movin’ On” is packed with singer Ryan Davis’ delicate keyboard embellishments, powerful horn swells, and beautifully controlled vibrato. The song shines brightest in the refrain, where the gospel-tinged chorus echoes the self-soothing declaration of the title.
Ike Peters – “Just a Little Talk”
The opening lines of “Just a Little Talk” — one of the Little Rock singer-songwriter’s three songs. Ike PetersNew “Sundries” EP — hints at love, regret, doubt, and divine intervention through the provocative effects of great short stories. “In 2017, I thought I heard the voice of God / Calling for communion through the car speakers / I should have pulled over right away and let Jesus into my heart / But I… I just kept running towards the heaven where you belong.” Peters’ charming, creaky voice joins in, especially as his lonely acoustic strums give way to tremolo-heavy folk rock. There’s no way you can’t not be drawn into it.
Uni Wa “Big City Blues”
“Big City Blues” begins smooth and jazzy, led by a carefree saxophone.It’s the unfamiliar sound of a Little Rock producer. YuniwaHe increasingly relied on synthesizers to create his signature brand of brooding electronica. Although the song doesn’t use keyboards throughout its performance, the nostalgic opening is quickly complicated by an aggressive beat that swings so hard that it threatens to drag the song out of time. The resulting product is one of Yuni Wa’s most unique grooves. For more information, check out his seven-song EP “Organized Soul,” released in early February.
Kin & Company — “Are you scared?”
Kin & Company’s first new song in more than two years, “Are You Afraid?” features the Northwest Arkansas group It sounds smoother, tighter, and more textured than ever before.Perhaps more important than these sonic changesBut it’s an evolution of bandleader Jonah Thornton’s voice, used sparingly to paint a picture of a relationship nearing its inevitable end. “Maybe it’s never going to be this simple/It’s never going to be as simple as us both dying,” Thornton sings softly, surrendering to the dark atmosphere of the moment. Her new LP from Kin & Company is scheduled for release in April. In the meantime, spend some time listening to “Away, Away,” one of her favorite tracks of 2022.
Silas Carpenter – “It doesn’t get any better than this.”
in two Full-length album under his belt,17 years old cyrus carpenter is so busy that he doesn’t know how he makes time for love, which is the subject of almost all of his songs. Love isn’t a surprising concern for high schoolers, but Carpenter has a unique way of looking at relationships, especially in songs like “No One Better.” While others may hide the darkest parts of their hearts, Carpenter shamelessly displays his selfishness over a bouncy electric piano. Is it continuing? ” I’m kidding, but everyone understands that feeling.
Hot Toddy Karate — “White dots on peripherals”
Continue 6 months single teaser, debut album from hot toddy karate Former Couch Jacket bassist and singer Ben Eslick left the band on Friday. The record is called “Scr0mbled Egg” and includes three features by Art Bob, the pseudonym of Couch Jacket singer and guitarist Brennan Leeds. One of his best cuts is “White Dots in my Peripherals.” This is a dreamy instrumental packed with miscellaneous sounds. The most impressive textures are his two different piano parts. One is shimmering and electronic, the other woody and reverb-heavy.
Trevor Bates – “The Psychic”
A proggy, shape-shifting, never-satisfying 16-minute journey by the Little Rock musician, “The Psychic” is filled with bruising, often psychedelic guitar solos (featuring Charles Willick) and organ shenanigans. I am. Trevor Bates somehow it is It’s not even the longest song he’s ever released. During his steady, While the experimental content may overwhelm less tolerant listeners, the track contains a notable melodic atmosphere just after the four-minute mark, with Bates swinging wildly and melodically. It shows that you have the ability.
PS What did I miss?